ART THEORY & CRITICISM

Self-Imprisonment and Freedom: Yu Zhenli in His Eighteen Years of Living in the Mountains – Liu Xiaochun

Propaganda Painting to Abstract Expressionism Art: Memoirs of Yu Zhenli – Yu Zhenli Art Museum

The Present Situation and Reflection of Shanghai Art Development –
Su Jincheng

A Preliminary Study on the Theory of the NO. 3 Image – Junping Liu

ECOLOGICAL ART

The Redemptive Aesthetics of Water – Changping Zha

The Interpretation of Truth Thinking and Ecological Aesthetics in Lin Quan Gao Zhi – Hao Wenjie, Zeng Tianyi

The Enlightenment of Socially Engaged Art for Ecological Restoration in China – Li Yang

ASIAN AMERICAN ART

Behind the “Abstract Transformation”: The Appearance and the Truth in the Works of Chinese-American Artist George Chann, from the 1950s to 1960s – Achang Su

Conversations on Michael Zheng’s Exhibition “A Tree is a Tree” at 500 Capp Street, 2022 – Hou Hanru, Michael Zheng

ART HISTORY

Social Thought and Bronze Art in the Western Zhou Dynasty – Yang Yuan, Tao Wenxuan

Analysis of the Conception and Appearance of the Group Portraits of the Twenty-nine Patriarchs in Kanjingsi Cave of Longmen Grottoes –
Gao Pengfei

FRONTIER ARTISTS

Shiqing Deng’s Artistic Characteristics and Value in Figurative Painting – Dao Zi

Tai Xiangzhou’s Parallel Universes – Richard Vinograd

Analysis of Su Yu’s Contemporary Oil Painting Style – Ziyu Liu

Hard and White Cannot Coexist: Recombining Concepts in a Semantic Fallacy – Wu Hong