Tag: Liu Xiaochun
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Touch: Chinese Abstract Morphological Expressionism in Yu Zhenli’s Works
Liu Xiaochun DOI: 10.64212/PQSL6974 Editor’s Note:Before Yu Zhenli created his last expressionist work Women at Wedding Reception in 1989, he had already begun to create some abstract art. In the following three decades, he persisted in exploring his unique style of Chinese Abstract Morphological Expressionism. This issue features a commentary written by Liu Xiaochun, alongside an…
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Self-Imprisonment and Freedom: Yu Zhenli in His Eighteen Years of Living in the Mountains
In December 1988, Yu Zhenli wrote a limerick: “Mouth in the mouth, wandering in the wall, one remains a prisoner in the mouth; up and down, left and right, coming and going; a red apricot waiting in a circle, bring people back to prison. ( 口中口，牆中游，人在口中留為囚；上下左右步，來來去去走；一枝紅杏圈中候，引渡人再回到囚。)” This sly poem contains Yu Zhenli’s serious artistic attitude…