Tag: Max Blue
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Ch’an, the Beginner’s Mind, and Conceptual Art: A Conversation between Artist Michael Zheng and Critic Max Blue
Michael Zheng DOI: 10.64212/SBMD9300 The second article in this column is based on a forum organized by the Art Frontier, in which art critic Max Blue and artist Michael Zheng engaged in conversations around the topic of “Ch’an Buddhism (禪宗)’s influence on conceptual art”. Owing to its vicinity to Asia, the West Coast of the United…
