ISSN: 2835-5490
EISSN: 2836-841X
Sponsor: Chinese Arts Association of San Francisco
Organizer: California Academy of Arts
Publisher: Frontier Press
© Copyright 2024 California Academy of Arts
ART THEORY & CRITICISM
Using Ceramics for the Transformation of Contemporary Art: Lv Pinchang’s Departure and Return – Shang Hui
The Interpretation of the Creating Truth Ecological Aesthetic Connotation in Jiezhou Xuehua Bian and Its Contemporary Value – Hao Wenjie, Xie Dunru
Expanding Horizons in the Clouds: Creation Notes on the Cliff Inscriptions of Songshan (Mount Song) in Qilu – Li Yi
One Person, One World – Jingsheng Chen
A Comparative Study of Art History Education Paradigms in China and the United States – Xiaohe Shi, Jingwei Zeng
From the Perspective of the Randomness of Folk Art: The “Unintentional Contemplation” in Chinese Aesthetic Consciousness – Gu Zimo
EXPERIMENTAL ART
Concept and Medium: China’s First Video Art Piece and Zhang Peili’s Early Artistic Creation – Xiaonan Li, Shuyuan Tian
The Ubiquitous Body: Exploring Virtual Reality Art Through Embodied Cognition Theory – Jin Lei
ART HISTORY
The Source and Establishment of the Image Style of Jiyue People in Longmen Grottoes during the Tang Dynasty – Guo Ziyuan
The Evolution of Female Figurine Clothing in Tang Dynasty Luoyang – Zou Meiqi
The Art of Infant Play in the Song Dynasty and the Reasons for Its Flourishing – Yang Yuan, Yang Huan
Zhao Mengfu’s Inscription on the Stele of Chan Master Yu Gong’s Virtuous Conduct and the Buddhist-Daoist Controversy in the Yuan Dynasty – Dong Rui
The Buddhist Philosophy Embodied in Hong Ren’s Huangshan Album – Ji Yaxuan
