Han Shilian

DOI: 10.64212/EHAP1569

Abstract

By quoting French sociologist Pierre Bourdieu on “habits”, this paper examines the formal language in Li Fangying’s paintings, especially the titles in his works, and through comparative analysis studies, it holds that his creative habits form the formation of Li Fangying’s painting style, habit is the habitual expression of the painter’s experience, and the formation of the painter’s painting style is the pattern produced by his history. It also points out that the formation of the painting style of the Eight Eccentrics of Yangzhou results from the display of the collective habit.

Key Words

Habit, titles, painting style