Tag: Gu Zimo
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The Eastern Echo of the Thinking of Being: A Study of Zao Wou-Ki’s Painting from the Perspectives of Heidegger and Taoism
This paper focuses on the art of Zao Wou-Ki, interpreting it through the dual perspectives of Martin Heidegger’s philosophy of Being and Taoist thought. In response to the current lack of application of cross-cultural philosophical dialogue in the field of art, and the fact that existing studies on Zao Wou-Ki tend to emphasize stylistic analysis…
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From the Perspective of the Randomness of Folk Art: The “Unintentional Contemplation” in Chinese Aesthetic Consciousness
This article focuses on the randomness in folk art practice and analyzes its logical connection with the traditional aesthetic concept of “unintentional contemplation.” The author believes that unintentional contemplation is a metaphysical aesthetic criterion in the practice of folk art, called the essence.