Tag: No.1 Jan.-Mar.2024
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Seeking Common Ground: Journeys Landscape and Inner Realms
Jeremy P. H. Morgan DOI: 10.64212/BYPP2922 Abstract: It was from discussions with my father who was a Geographer (human-political) that I became aware of the term “Feng Shui (風水)” when we were walking in Welsh hill country looking at the landscape around us and my father explained to me the concepts that underlay Geomancy in Ancient Chinese Taoist…
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Logic Based on Science and Art History: From Concrete, Abstract to Grasp of the Void
Based on science, philosophy and art history, this paper analyzes figurative art and abstract art and renews the origin and development of figurative art and abstract art to associate with contemporary art and define the art history path from figurative art, abstract art to Grasp of the Void art.
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Traces: The Whisper of Art’s Presence
Yu Zhenli DOI: 10.64212/RANI1069 Editor’s Note:Before Yu Zhenli created his last expressionist work Women at Wedding Reception in 1989, he had already begun to create some abstract art. In the following three decades, he persisted in exploring his unique style of Chinese Abstract Morphological Expressionism. This issue features a commentary written by Liu Xiaochun, alongside an early…
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Touch: Chinese Abstract Morphological Expressionism in Yu Zhenli’s Works
Liu Xiaochun DOI: 10.64212/PQSL6974 Editor’s Note:Before Yu Zhenli created his last expressionist work Women at Wedding Reception in 1989, he had already begun to create some abstract art. In the following three decades, he persisted in exploring his unique style of Chinese Abstract Morphological Expressionism. This issue features a commentary written by Liu Xiaochun, alongside an…