Yu Zhenli

DOI: 10.64212/RANI1069

Editor’s Note:
Before Yu Zhenli created his last expressionist work Women at Wedding Reception in 1989, he had already begun to create some abstract art. In the following three decades, he persisted in exploring his unique style of Chinese Abstract Morphological Expressionism. This issue features a commentary written by Liu Xiaochun, alongside an early philosophical reflection on art by Yu Zhenli, complemented by classic abstract works created by Yu Zhenli at various stages, further presenting his comprehensive artistic exploration.