Tag: Vol.1 No.3 & No.4 Jul.-Sep., Oct.-Dec.2023
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Handwritten Diary
Yu Zhenli [Yu Zhenli Art Museum provides the article] DOI: 10.64212/ZHUW9458 Editor’s Notes: This issue marks the second installment of artist Yu Zhenli’s research-oriented essays. The first piece features a critique by the critic Shui Tianzhong, using “social sculpture” as the starting point, retrospectively narrating the social and artistic values of Yu Zhenli’s studio construction after…
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Constantly Searching
Shui Tianzhong DOI: 10.64212/FDPB6935 Yu Zhenli is an artist who keeps exploring and progressing. While he developed an alienated attitude from the dominant fashion of Chinese art, he always remembered the changing environment where he found himself as an artist. Artistically, Yu Zhenli is interested in the changing social structure and he contemplates the trends of…
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A History of Ideas in Pioneering Contemporary Chinese Art: Being a History of Language and Time
Begun with discussing the value of history, this article points out the subjective value judgements in the study of history and their significance for human free existence. Then, it suggests the reasons why the history of ideas in pioneering contemporary Chinese art should be a kind of history of language and a kind of history…