Tag: Vol.2, No.1 Jan.-Mar.2024
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Some Contributing Factors to the Modernity of Late Nineteenth and Early Twentieth Century’s Chinese Calligraphy and Paintings
Jingwei Zeng DOI: 10.64212/MQHQ8880 AbstractThis paper explores some factors that gave rise to the modernity of late nineteenth and early twentieth-century Chinese calligraphy and painting from the University of Wisconsin-Milwaukee’s Special Collections. The art in this period has long been signified as a cultural stagnation. However, its modernist tendency is demonstrated here, bringing the overlooked subjects…
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Returning to Anjiang Village: the Intellectual Legacy and Art Education Philosophy of National Academy of Art
Yao Feng DOI: 10.64212/XSHP2625 AbstractIn 1939, the National Academy of Art, formed by the merger of the Beiping Art School and the Hangzhou Art School, moved west to Anjiang Village, marking a brief yet crucial period in its educational history. Many teachers and students actively joined the cultural and artistic front, working together to overcome challenges.…
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A Study of the Characteristics and Aesthetic Orientation of He Shaoji’s Brushwork
Hao Chunyan DOI: 10.64212/LVAS5686 AbstractHe Shaoji is one of the representative artists of Chinese calligraphy art from the Qing Dynasty. Amidst the prevailing trend of “depreciating the Tang style” in epigraphy, he keenly recognized the important value of the complementary relationship between rubbing study and stele study, formed the brushwork view of horizontal and vertical strokes, and studied…
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The Nurturers and Self-Image Building of Ten Thousand Buddha Hall in Yixian County, Liaoning Province
Lin Jiao, Ruirao Ru DOI: 10.64212/ROGY8974 AbstractThis paper selects the Ten Thousand Buddhas Grottoes in Northeast China as the research object, and compares it with the Longmen Grottoes of the same period by taking the inscription of the statue as the breakthrough point. It is found that there are certain links and differences in the choice of…
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Respecting Tradition, Mastering Skills, Guided by Nature: The Heritage and Innovation of Scholarly Young Artist Wang Shuzhong
Pang Hui DOI: 10.64212/RUHB5905 AbstractWang Shuzhong’s works showcase a profound historical heritage and contemporary aesthetic. Assuming the role of a scholar-artist, he presents a distinctive visage through bold experimentation and exploration, deviating from the norm and departing from tradition. This innovative spirit, rewriting conventional norms, infuses his artistic creations with vibrancy and depth, making a unique…