ISSN: 2835-5490
EISSN: 2836-841X
Sponsor: Chinese Arts Association of San Francisco
Organizer: California Academy of Arts
Publisher: Frontier Press
© Copyright 2024 California Academy of Arts
ART THEORY & CRITICISM
A History of Ideas in Pioneering Contemporary Chinese Art: Being a History of Language and Time – Changping Zha
Constantly Searching – Shui Tianzhong
Handwritten Diary – Yu Zhenli
Who was the “Father of Art History”? – Dong Rui
Analysis of the Modern Aesthetic Implications of the Translation and Dissemination of Chinese Tragedy:
The Musical Orphan of Zhao as an Example – Wei Xinping
CONCEPTUAL ART
Editorial Introduction to the Inaugural Column “Conceptual Art” – Michael Zheng
Paul Kos with Andrew McClintock
Ice Makes Fire: Paul Kos with Jarrett Earnest
Ch’an, the Beginner’s Mind, and Conceptual Art:
A Conversation between Artist Michael Zheng and Critic Max Blue
ART HISTORY
Research on the Loss and Collection of Chinese Stone Buddhist Sculptures in American Museums – Liu Hong-Cai
A Comparative Analysis of the Retro Tendency Between the Periods of the European Renaissance and the Fine Art of the Ming Dynasty – Huang Zhong
The Formation Process and Artistic Value Study of Baoshi Cun – Hui Pang
Themes and Styles of Li Fangying’s Works from the Perspective of Pierre Bourdieu’s “Habits”, and on the Causes of the Painting Styles of the Eight Eccentrics Yangzhou – Han Shilian
Feminization of Statues in Longmen Grottoes during the Northern Wei Dynasty and its Causes – Zheng Xiaoxue