Shao Qibing

DOI: 10.64212/WCKM6919

Abstract
After everyone has gained the right to narrate and reconstruct, the worldview is no longer a unified image shaped by dominant powers. Instead, it is a fragmented and dynamically evolving picture, pieced together through the intersubjective interactions of individuals and their mutual reconstructions with existing discourses. This new form of worldview not only serves as the foundation for the emergence of contemporary art but also represents the puzzle that contemporary art must continually reconstruct and reassemble.

Key Words
Globalization, Chinese contemporary art, Chinese Beauty, temporality, reconstruction