Junping Liu

DOI: 10.64212/AEXN4639

Abstract
The predominant approach to studying Chang Dai-Chien in the history of modern Chinese art lies in historical verification. Yet, in recent years, stylistic analysis has become a focal point in art history research. The transformation of style from linear to planar is a significant characteristic of Chang Dai-Chien’s artistic creations during his overseas endeavors. This article conducts research in the folowing aspects: the genesis of Chang Dai-Chien’s ink and splashed color style during his overseas period (1949-1956), Western modern art and artists’ influence on Chang Dai-Chien’s ink splattering and color splattering style, the influence of ocular ailment on Chang Dai-Chien’s splashed-ink and splashed-color artistic style, and formation of Chinese-Western fusion splash ink painting. The study of artistic styles during his overseas period not only facilitates a profound understanding of his artistic thoughts and creative methods but also offers insights and inspiration for the development and inheritance of modern Chinese art.

Key Words
Chang Dai-Chien, splashed ink and splashed color, from linear to planar, ocular ailment,
Chinese cultural genes