Author: Art Frontier
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The Source and Establishment of the Image Style of Jiyue People in Longmen Grottoes during the Tang Dynasty
As a special kind of Buddhist Jiyue theme, the images of Jiyue people (伎樂人) in the Longmen Grottoes during the Tang Dynasty are mainly composed of maiko (舞伎), musicians (樂伎) and geisha (歌伎) who show secular life. Influenced by the art of the Indian grottoes, the original images of Jiyue people were mostly in standing postures and were arranged in the stories…
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The Ubiquitous Body: Exploring Virtual Reality Art Through Embodied Cognition Theory
With the rapid iteration of virtual reality (VR) technology, new creative media and interaction methods have been activated. This paper delves deeply into the embodiment of VR art from the perspective of embodied cognition theory. The study reveals that the body plays a pivotal role in both enclosed artistic experiences facilitated by head-mounted VR devices…
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Concept and Medium: China’s First Video Art Piece and Zhang Peili’s Early Artistic Creation
This paper takes China’s earliest video artwork 30×30 and the early works of video artist Zhang Peili (張培力) as a foundation to study and explore the relationship between the origin of Chinese video art and the modern art movement in the 1980s.
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From the Perspective of the Randomness of Folk Art: The “Unintentional Contemplation” in Chinese Aesthetic Consciousness
This article focuses on the randomness in folk art practice and analyzes its logical connection with the traditional aesthetic concept of “unintentional contemplation.” The author believes that unintentional contemplation is a metaphysical aesthetic criterion in the practice of folk art, called the essence.
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A Comparative Study of Art History Education Paradigms in China and the United States
This article conducts a comparative study of art history education in China and the United States, focusing on aspects such as curriculum design, training programs, faculty allocation, and teaching methods.
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One Person, One World
Xu Guohua is four years older than me. When I first met him, we were both just entering our thirties. His features were sharp and defined, exuding a certain toughness. His slightly curly hair cascaded down the back of his head like a waterfall, giving him an unmistakable artistic flair. Handsome and charismatic, yet genuine,…
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Expanding Horizons in the Clouds: Creation Notes on the Cliff Inscriptions of Songshan (Mount Song) in Qilu
This paper, presented as a creative journal, uses the creation of the Songshan cliff inscriptions in the Qilu region as a starting point. It first discusses how contemporary cliff calligraphy must consider the expression of thematic ideas and artistic conception from the perspective of landscape art, striving for the organic integration of cultural and natural…
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The Interpretation of the Creating Truth Ecological Aesthetic Connotation in Jiezhou Xuehua Bian and Its Contemporary Value
Hao Wenjie, Xie Dunru DOI: 10.64212/SWIZ7680 AbstractJiezhou Xuehua Bian (《芥舟學畫編》) is a systematic work about painting that emerged in the late Qianlong period of the Qing Dynasty, and it is unique in the history of Chinese painting theory. The author Shen Zongqian emphasizes that painting should not be seen as a game like “play with objects…
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Using Ceramics for the Transformation of Contemporary Art: Lv Pinchang’s Departure and Return
Shang Hui DOI: 10.64212/IUKA2875 The white marble group sculpture Faith, which stands on the west square of the Museum of the Communist Party of China, is a monumental example of public art, embodying the ideological spirit of the new era. As the chief artist of this group sculpture, Lv Pinchang led the sculpture team from the…