Tag: Vol.2 No.4 Oct.-Dec.2024
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One Person, One World
Xu Guohua is four years older than me. When I first met him, we were both just entering our thirties. His features were sharp and defined, exuding a certain toughness. His slightly curly hair cascaded down the back of his head like a waterfall, giving him an unmistakable artistic flair. Handsome and charismatic, yet genuine,…
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Expanding Horizons in the Clouds: Creation Notes on the Cliff Inscriptions of Songshan (Mount Song) in Qilu
This paper, presented as a creative journal, uses the creation of the Songshan cliff inscriptions in the Qilu region as a starting point. It first discusses how contemporary cliff calligraphy must consider the expression of thematic ideas and artistic conception from the perspective of landscape art, striving for the organic integration of cultural and natural…
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The Interpretation of the Creating Truth Ecological Aesthetic Connotation in Jiezhou Xuehua Bian and Its Contemporary Value
Hao Wenjie, Xie Dunru DOI: 10.64212/SWIZ7680 AbstractJiezhou Xuehua Bian (《芥舟學畫編》) is a systematic work about painting that emerged in the late Qianlong period of the Qing Dynasty, and it is unique in the history of Chinese painting theory. The author Shen Zongqian emphasizes that painting should not be seen as a game like “play with objects…
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Using Ceramics for the Transformation of Contemporary Art: Lv Pinchang’s Departure and Return
Shang Hui DOI: 10.64212/IUKA2875 The white marble group sculpture Faith, which stands on the west square of the Museum of the Communist Party of China, is a monumental example of public art, embodying the ideological spirit of the new era. As the chief artist of this group sculpture, Lv Pinchang led the sculpture team from the…