Sun Tongtong

Chinese National Academy of Arts

DOI: 10.64212/FRUI4423

Abstract
This paper focuses on the application of modern iconology in Chinese art history research, exploring the adaptation and transformation of its methods within a cross-cultural context. The study first analyzes the core methods of modern iconology and its developmental logic in the West, then examines the theoretical disjunctions and interpretive challenges encountered in local practice by considering China’s unique symbolic systems and cultural traditions. On this basis, it proposes practical pathways such as establishing a local iconographic system, conducting case-specific analyses of individual works, and employing cross-media textual corroboration. The aim is to enhance the explanatory power and openness of iconology for Chinese art history research while preserving the spirit of its methodology.

Key Words
Modern iconology, methodology, localization, Chinese art history